Montsalvat – A Creative Landscape

My co-producer Mary Jo Katter had visited Montsalvat, an artists’ colony in Eltham, Victoria, and suggested it would make a lovely blog so I trekked out. It’s just over half an hour from the centre of Melbourne and when I arrived I sensed it was pretty special – perhaps because all the buildings, set in a rambling 4.8 hectare garden, are fascinating, filled with character – a pastiche of past eras.

And that’s exactly what Justus Jörgensen, the Melbourne architect and artist planned when he established the property in 1934.

When he gave up architecture to concentrate on painting one of his main mentors was Max Meldrum, renown for his tonalism. Then in 1924 Jörgensen and his new bride Lillian Smith, a Brisbane medical student, travelled to Italy, Spain, France and England, where they studied old and modern European masters, and painted with Australian friends.  Jörgensen exhibited at several major galleries in Paris and London, and his considerable success included having work hung at the prestigious Royal Academy Summer Exhibitions 1926 and 1927.

As you wander around the grounds it’s easy to see the influence of time the Jörgensen’s spent in Europe.

Maybe the name Montsalvat is familiar to you? It features in both English and German mythology – it’s the home of the Holy Grail in ‘King Arthur and the Knights of the Round Table’, and it’s also mentioned in Wagner’s operas Parsifal and Lohengrin.

Eltham’s Montsalvat, classified by the National Trust Victoria, apparently has its own legends, not surprisingly as it’s steeped in culture. It’s believed one of the original residents, painter Sue Vanderkelen, first named it, declaring that Montsalvat meant “mount of salvation”.

Jörgensen’s dream for an artists’ colony drew a collective of creative and industrious people who constructed the first buildings here, and over the decades others have been added.

Monsalvat42©Kim Woods Rabbidge

Figurative bronze sculptures by Matcham Skipper bring life into quiet spaces.

 

Many buildings were made from adobe (mudbrick) and pisé de terre (rammed earth) with soil on site.  When a reef of mudstone was uncovered during excavation, Justus expanded his plans and the hall became the iconic ‘Great Hall’.

Montsalvat21 ©Kim Woods RabbidgeParts of other buildings were ‘repurposed’ from wreckers’ and builders’ yards across Melbourne – probably one of our first recycling communities!  Slate from a demolished house, and discarded fire bricks and tiles were utilised; and the demolished Bijou Theatre and Royal Insurance Building proved rich sources for the beautiful cast iron circular staircase, architraves, mouldings, doors and windows.

 

 

 

 

 

 

During World War II Montsalvat became largely self-sufficient, with its own market garden, poultry farm and dairy.

For eighty years it’s been the creative hub for all forms and genres of art – painting, drawing, sculpture, photography, film, jewellery, ceramics, glass, textiles, poetry and literature, drama, musical composition, performance and musical instrument making.

What’s wonderful is that visitors are welcome in this still vibrant and productive place, where some of the Jörgensen and Skipper descendants, the third generation of original families, still reside and work.

Florist and sculptor Wona Bae had a residency early in 2014 when she completed these superb woven willow sculptures. Her work is also in the grounds of Heide Museum of Modern Art and she recently opened her own floral studio Loose Leaf.

It’s a not-for-profit organisation, a Charitable Trust governed by a board, and supported by many private patrons who wish to support artists, arts education and performance. Passionate volunteers and a dozen or so employees administer and maintain the property.

The grounds and buildings are mostly used for exhibitions, performances, conferences, seminars, weddings and receptions while artists such as luthiers, jewellers, painters, sculptors and a writer reside here, and many offer classes.

This courtyard was named in honour of Gwen Ford who lived nearby with her landscape architect husband Gordon in their beautiful Australian native garden, Fülling. Gwen and friend Sue Thomas used to spend every Monday morning tending the pool courtyard, potting olives, planting herbs and hanging baskets.  Both she and Gordon were passionate supporters of Montsalvat. (The pool was closed for maintenance when I was there but you can see images on their website.)

 

Montsalvat  attracts tourists from around the country, and around the world.  It’s where both emerging and established artists can work, exhibit, and perform. You can imagine it’s the perfect location for functions, photo shoots and film settings – including the episode of ‘Miss Fisher’s Murder Mysteries’ entitled ‘Murder under the Mistletoe’ which was filmed there.

Make sure you visit when next you head to Melbourne!

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